Landscape into Sculpture
Sat 7 May – Sat 25 Jun 2011
Hubert Dalwood (1924-76) was a leading post-war British sculptor, described by the art critic Norbert Lynton as ‘one of the most original and inventive minds in the field of modern sculpture’. In the 1950s and 1960s his work received considerable critical acclaim both at home and abroad, winning prizes and prestigious commissions.
Dalwood’s early works, modelled in clay and plaster before casting, reveal his fascination with qualities of surface. Focusing initially on the female figure, from the mid-1950s he created a series of ‘mysterious’ objects. Their heavily worked and textured skins recall those of archaeological artefacts, excavated from the earth, as well as the craggy terrains of natural landscapes.
From the mid-1960s, following a period spent teaching in North America, Dalwood became increasingly interested in architecture and its relationship to landscape. He started to create monumental architectural forms out of polished aluminium and sheet metal, which reflect their surroundings; and imagined, magical environments – vast landscapes on a small scale – which can be understood in their entirety when seen from above.
The exhibition has been developed by the New Art Centre, Roche Court and includes works from the Dalwood Estate as well as from private collections. An illustrated catalogue accompanies the show.
The Mead Gallery also features Anni Albers: Design Pioneer this term, details here