The film centres around call-girl-turned Broadway thespian Imogen Poots (A Late Quartet) and follows the recurring intersection between these two facets of her life and the many men that appear infatuated with her.

Peter Bogdanovich’s love letter to the type of freewheeling sex comedy that was staple Hollywood fare in years gone by is a real pleasure, blessed with a series of smart and knowing performances and driven by a frothy sense of mainstream fun.