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Four women sat on the floor looking to the camera

Janet Jackson is an icon – here’s why.

Posted
Tuesday 13 January

Artist and theatre-maker Paula Varjack's Nine Sixteenths takes one of the most infamous celeb' incidents of the new millennium as a prompt to explore the rise, fall, and rise of one of pop music's biggest stars, and how black women are treated by the media.

During a televised Superbowl 2004 half-time performance, Justin Timberlake exposed Janet Jackson’s breast to a huge live TV audience for nine sixteenths of a second. This brief moment - nicknamed 'Nipplegate' - derailed Jackson’s career, while Timberlake’s thrived.

In the run-up to Nine Sixteenths visiting Warwick Arts Centre, on Thursday 12 February 2026, Paula Varjack recalls what Janet Jackson meant to her, and some of her biggest hits...

"When I was child and teenager, Janet Jackson was an icon I especially looked up to. She was an innovator in the early days of MTV era music video, with a completely different aesthetic and tone for each album, each music video even.”

"From the time she released Control (1986), she projected a narrative of an artist who was doing things on her terms, with a team of people she enjoyed collaborating with. But also, she had this air of being fun to be around, playful, kind and sweet.”

"She was totally unlike any other pop artist I remember at the time, and the first pop artist I remember seeing on MTV who was a black woman. I think as much as she was celebrated and admired, she still feels somehow underrated in comparison to other pop icons of the era like Madonna, and yet she was so influential. Oh, and of course, she was and is incredibly hot! She was always unafraid to sing lyrics that were open and frank about her sexuality and sensuality and was an outspoken ally to the queer community from very early on.”

"The interesting thing about this period is that it's a time for me when music is inseparable from music video. I started watching MTV alongside my teenage cousin when I was very little, so as an artform it made a big imprint on me, a formative one.”

"Favourite Janet Jackson music videos though, there are so many! I don’t think she’s ever made a bad one!”

"The very first one I remember seeing was for What Have You Done For Me Lately. Her whole look, the metallic gold blouse, boxy shoulder blazer, big earrings, big hair, and the make-up. It’s dynamic as it has a narrative, unlike many early music videos at the time that just featured lots of shots of a band playing, or a singer dancing and lip syncing. There was a story and ensemble driving it and working with what felt like a location rather than a studio or live music venue."
"And then of course the most iconic of them all, Rhythm Nation. It’s shot like this dystopian black and white film, high contrast with sharp edges and shafts of light, this militaristic fashion, and the main highlight - the choreography. The choreography is so unique and sharp and pleasurable to watch. Her choreography was always next level, but I think with that video especially, once you see the choreography you never forget it."
"As to my favourite Janet jam? It's really tough for me to pick only one! But for the last year my favourite is Feedback (from 2008's Discipline album). It’s a track I had never heard of until I started working on the show and it's such a banger! It has this great screechy intro and slinky bassline and is my favourite song of hers in recent years to dance to. It’s also special within the narrative of the blackout around her work following the Superbowl. It was the only track that broke through and made it on the charts. You can see why when you hear it. She also looks incredible in the music video, as she always does!"

See Paula Varjack: Nine Sixteenths on Thursday 12 February 2026. Buy tickets!

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