Colin Blunstone
Tickets: £34.50
Groups: Parties of 10 or more get one free ticket. Please contact our box office for more information and to book.
Colin Blunstone, lead singer of The Zombies and acclaimed Solo Artist, returns to UK stages with the Believe In Miracles Tour, his first national solo outing in 7 years.
The tour title is a nod to Blunstone’s 1972 hit I Don’t Believe In Miracles (penned by Argent singer/guitarist Russ Ballard), but is also a reflection on his remarkable 7-decade career.
The world first fell in love with that mysteriously silky voice from The Zombies’ 1960’s singles She’s Not There, Tell Her No and Time of the Season.
The band’s untimely demise in late 1967 led Blunstone into a solo career which began in earnest with the release of the lush and string-laden One Year in 1971, produced by former Zombies’ bandmates Rod Argent and Chris White, which scored him a Top 15 UK hit with Denny Laine’s Say You Don’t Mind. He has released 10 albums of his own over a period spanning more than 50 years, including 1972’s Ennismore and 1974’s Journey, and has lent his remarkable pipes to the recordings of many others, most notably the Alan Parsons Project, who featured Blunstone on their 1982 hit Old and Wise, as well as on several albums.
Blunstone celebrated his 80th birthday in June at the London premiere of Hung Up On A Dream: The Zombies Documentary, the first-ever feature film chronicling the band’s journey from teenage friends to Rock & Roll Hall of Fame Inductees (now available on AppleTV and Amazon).
With Argent’s retirement for health reasons in 2024, Blunstone is refocusing on his solo career while also continuing to celebrate the legacy of The Zombies. A new album is planned for release in 2026.
Supporting Act - Jesse Lynn Madera
West Virginia-born Houston-raised Jesse Lynn Madera is celebrated for crafting musical tales with profound and relatable lyrics while effortlessly blending diverse genres. American Songwriter praised her, saying, “Madera’s lyrical and piano-driven songs are passionate and alluring, with a dramatic, ethereal, and almost otherworldly tone. Evoking comparisons to the shapeshifting brilliance of Kate Bush and the confessional pop sensibilities of Tori Amos.”
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